Mask Making | Page 5 - ArtMolds
![Mask Making 29 Mask Making 29](https://cdn.shopify.com/s/files/1/0688/2430/1785/files/29mm.jpg?v=1710991574)
Figure 29
Now attention is given to the front of the wall. A clay modeling tool is used to smooth out its surface.
![Mask Making 30 Mask Making 30](https://cdn.shopify.com/s/files/1/0688/2430/1785/files/30mm.jpg?v=1710991576)
Figure 30
A second key is created in the clay wall at the top of the head.
![Mask Making 31 Mask Making 31](https://cdn.shopify.com/s/files/1/0688/2430/1785/files/31mm.jpg?v=1710991577)
Figure 31
A third key is created opposite the first key. See the arrow.
![Mask Making 32 Mask Making 32](https://cdn.shopify.com/s/files/1/0688/2430/1785/files/32mm.jpg?v=1710991579)
Figure 32
Two more keys will be created and added by cutting three trapezoid shapes in clay.
![Mask Making 33 Mask Making 33](https://cdn.shopify.com/s/files/1/0688/2430/1785/files/33mm.jpg?v=1710991580)
Figure 33
One trapezoid key is applied on each side of front of the wall about halfway between the lower indented key and the top indented key.
![Mask Making 34 Mask Making 34](https://cdn.shopify.com/s/files/1/0688/2430/1785/files/34mm.jpg?v=1710991582)
Figure 34
Plaster is mixed for the front half of the plaster mold. The consistency of the plaster is similar to a thick milkshake.
![Mask Making 35 Mask Making 35](https://cdn.shopify.com/s/files/1/0688/2430/1785/files/35mm.jpg?v=1710991583)
Figure 35
The “face” coat (the coat that first touches the surface) is applied using a chip brush. This method eliminates air bubbles as a surface air is pushed aside by the brushing action.
Click the NEXT arrow to continue